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The 4th, 5th and 6th winners of the 2025 Queen Elisabeth Competition join the musicians of the OPRL for a three-concert tour.
The 4th, 5th and 6th winners of the 2025 Queen Elisabeth Competition join the musicians of the OPRL for a three-concert tour.
An individual guided tour to discover all the nooks and crannies of the Philharmonic Hall and its stylistic, technical and historical peculiarities.
The 4th, 5th and 6th winners of the 2025 Queen Elisabeth Competition join the musicians of the OPRL for a three-concert tour.
The eighth edition of the Classic Academy will give three candidates the opportunity to perform a concerto of their choice with the OPRL.
For its first concert at the Kissinger Sommer, the summer festival in Bad Kissingen (Germany), the OPRL divides its time between Slavic melancholy and the brilliance of the Mediterranean world.
The OPRL travels to Reims with Pierre Bleuse and Florian Noack to participate in the Flâneries Musicales, a festival founded in 1990, renowned for its rich and eclectic programming.
On the occasion of the opening of the Royal Juillet Musical de Saint-Hubert, the OPRL is taking with it César Franck's unholy horseman and Dvořák's masterpiece.
The OPRL opens its doors on Boulevard Piercot for a day filled with music, interactive discoveries, and tasty treats. Not to be missed !
Lionel Bringuier opens his tenure with the OPRL with a captivating programme of French music. To make the occasion truly special, he is joined by French cello star Gautier Capuçon.
A short concert built around two masterpieces of the classical repertoire, followed on stage by a warm dialogue with Lionel Bringuier and Gautier Capuçon.
Lukas Sternath, a rising star of the piano, performs Schubert, Liszt and Prokofiev in a recital of rare intensity and depth."
Grieg’s Quartet No. 1 and Puccini’s Crisantemi take centre stage in a delightful musical interlude with musicians from the OPRL
Lionel Bringuier, joined by the remarkable pianist Jean-Yves Thibaudet, invites you on a musical journey that spans continents and cultures.
[MAESTRO] Lionel Bringuier gets young and old dancing to Dukas’s sprightly The Sorcerer’s Apprentice, before a journey through the brass and percussion sounds of Gershwin’s An American in Paris.
For the 50th anniversary of Shostakovich’s passing, musicians of the OPRL pay tribute to him in a concert presented by Axelle Thiry.
Kristjan Järvi and the OPRL spotlight the work of a leading figure in the Modern Classical movement, Max Richter, blending minimalism, lyricism, and unprecedented sound explorations.
The “Saturday Rendez-vous” series opens with the Orchestre National de Metz in a rich and varied program featuring Mendelssohn, Florence Price, and Mussorgsky.
Amandine Beyer and Gli Incogniti bring to life the creative Köthen period, those prolific years during which most of his concertos were composed.
With Pierre Solot and the OPRL, dive into a concert where madness becomes a source of brilliant inspiration.
With Pierre Solot and the OPRL, dive into a concert where madness becomes a source of brilliant inspiration.
Inspired by two Walloon poems by Henri Simon, Patrick Leterme’s new work takes the form of a choral and symphonic performance centered on the theme of the tree.
The Belgian soprano Anne-Catherine Gillet faces the organ in Poulenc’s tragic opera La Voix humaine, set to a text by Cocteau.
Renaud Capuçon leads the OPRL through the tender, romantic world of Wagner, alongside works by Strauss, Mozart, and a new prmeiere by Camille Pépin.
Straight from the Beskids in Poland, the string quintet Vołosi shares its frenzied and spellbinding energy with the audience.
Renaud Capuçon leads the OPRL through the tender, romantic world of Wagner, as well as works by Strauss, Mozart, and a new creation by Camille Pépin.
Stanislav Kochanovsky brings Shostakovich’s Eighth Symphony to life — tragic yet full of hope — along with Prokofiev’s ironic and sublime First Violin Concerto, performed with Lorenzo Gatto.
Stanislav Kochanovsky brings Shostakovich’s Eighth Symphony to life — tragic yet full of hope — along with Prokofiev’s ironic and sublime First Violin Concerto, performed with Lorenzo Gatto.
Endowed with a rich artistic personality, the young Russian pianist Alexandra Dovgan, just 18, performs works by Schubert, Franck, and Prokofiev.
